color-grade-ai

内容来源：SKILL.md（标准 Skill 格式） · 原始地址 · 查看安装指南

原始内容

---
name: color-grade
description: Generate .cube 3D LUTs for color correction in DaVinci Resolve and Adobe Premiere Pro. Auto-analyze frames, recommend node settings, and preview grades interactively in-browser. Use when the user needs color grading, LUT generation, frame analysis, or auto-grade recommendations.
argument-hint: [lut-type] [output-path]
allowed-tools: Read, Bash(ruby *), Bash(python3 *), Bash(ffmpeg *), Bash(ffprobe *), Write, Glob, Grep
---

# Color Grade AI

Generate targeted .cube 3D LUTs for color correction. Auto-analyze frames and recommend DaVinci Resolve-style node chain settings. Interactive in-browser preview with Preact.

## Quick Start

```bash
# Generate a correction LUT (presets defined in presets.yml)
ruby generate_lut.rb <type> <output_path> [--strength=0.0-1.0]

# Bake multiple presets into a single .cube LUT
ruby generate_chain_lut.rb <output_path> <preset@strength> ...

# Auto-analyze a frame and get node recommendations
python3 auto_grade.py <frame.png>

# Compare reference vs output and get adjustment suggestions
python3 match_grade.py <reference.png> <output.png>

# Analyze specific regions for color stats
ruby analyze_frame.rb <image_path> <x1,y1,x2,y2> [label]

# Serve the interactive preview
python3 -m http.server 8080
# Open http://localhost:8080/preview.html
```

## Auto-Grade Analysis

`auto_grade.py` analyzes a Rec.709 frame (post-conversion LUT) and recommends correction values for each node using classical color science:

| Node | Method | Target |
|------|--------|--------|
| Contrast/Exposure | Luminance histogram percentiles | Median ~0.45, dynamic range ~0.85 |
| White Balance | Shades of Gray (Minkowski p=6) + White Patch blend | RGB gains near 1.0 |
| Skin Tone | HSV-based skin detection, I-line targeting | Hue ~20° (peach) |
| Saturation | Hasler-Susstrunk colorfulness metric | Colorfulness 35-55 |
| Black Level | Bottom 5% luminance analysis + noise floor | Black point < 0.02 |

```bash
# Full workflow
ffmpeg -y -ss 19 -i video.mp4 -vframes 1 -vf "scale=1280:-1" -update 1 frame_raw.png
ffmpeg -y -i frame_raw.png -vf "lut3d='conversion.cube':interp=tetrahedral" -update 1 frame_709.png
python3 auto_grade.py frame_709.png
```

## Match Grade Analysis

`match_grade.py` compares a reference image against an output image and suggests preset adjustments to bring the output closer to the reference.

```bash
python3 match_grade.py <reference.png> <output.png>
```

Useful for matching grades across clips or iterating toward a target look.

## Interactive Preview (preview.html)

Browser-based node chain previewer using Preact + HTM (~4KB). Applies .cube LUTs on canvas in real-time.

Features:
- **Drag-and-drop** any frame (raw S-Log3 or converted)
- **Node 1: Conversion LUT** — add your own .cube files (not included in repo)
- **Nodes 2-6: Correction chain** — dropdown presets + strength sliders
- **Creative presets** — one-click curated looks (Studio Dance, Studio Clean, Studio Ambient, Studio Gold, Studio Film)
- **S-Gamut3 → Cine compensation** toggle for gamut mismatch
- **Bypass/reset** all nodes instantly
- **URL parameters** — deep-link to a specific state: `?image=frame.png&lut=path/to.cube&preset=studio_gold`

Correction LUTs are committed in `correction_luts/`. Conversion LUTs are user-provided (gitignored in `luts/`).

## Config-Driven Presets

All LUT types are defined in `presets.yml`. Each preset is a pipeline of ordered processing steps. Adding a new LUT type means adding a YAML entry — no Ruby code changes needed.

Available step types: `exposure`, `highlight_protect`, `black_crush`, `hue_desat`, `skin_correction`, `shadow_sat_boost`, `skin_highlight`, `skin_rolloff`, `global_highlight_desat`, `rgb_rebalance`, `global_sat`.

## Available LUT Types

### Correction LUTs (apply after conversion)
| Type | What it fixes |
|------|--------------|
| `night_warm_fix` | All-in-one for underexposed warm/red scenes. ~1 stop lift + skin hue shift + black crush. |
| `night_purple_fix` | All-in-one for underexposed purple/magenta stage lighting. RGB rebalancing + lift + desat + skin fix. |
| `yellow_fix` | Warm amber/yellow cast from stage lighting. H=10-60, 55% desat. |
| `red_skin_fix` | Red/flushed skin from warm practicals. Hue shift to peach, skin-only targeting. |
| `pink_cast_fix` | Pink/magenta cast from stage lighting. Gentle RGB rebalance + magenta desat. |
| `overexposure_fix` | Scene-wide ~1 stop reduction with highlight rolloff. |
| `underexposure_fix` | Scene-wide ~1.2 stop lift with shadow recovery. |
| `black_crush` | Crushes milky/lifted blacks below 12% to true black. |
| `skin_highlight_fix` | Subtle skin-only highlight rolloff above 70% luminance. |
| `golden_warm` | Strong golden warm shift via RGB rebalance (R:1.20, G:1.00, B:0.80). For rich warm cinematic looks. |
| `cinema_dark` | Deep moody contrast with gamma 1.45, shadow lift 0.02, and knee compression (0.72-0.90). |

### Node Chain Building Blocks
| Type | Node | What it does |
|------|------|-------------|
| `studio_punch` | Contrast | Subtle contrast boost for well-lit interiors |
| `film_contrast` | Contrast | Stronger filmic contrast with deeper shadows |
| `flat_lift` | Contrast | Lifts shadows for softer, more open look |
| `warm_shift` | Temperature | Subtle warm shift via RGB rebalance |
| `cool_shift` | Temperature | Subtle cool shift via RGB rebalance |
| `led_green_fix` | Temperature | Fixes green tint from LED/fluorescent lights |
| `sat_boost` | Saturation | Global +15% saturation boost |
| `golden_warm` | Temperature | Strong golden warm shift (R:1.20, G:1.00, B:0.80) |
| `sat_reduce` | Saturation | Global -15% saturation reduction |
| `sgamut3_to_cine` | Gamut | S-Gamut3 → Cine compensation (desat ~12%) |
| `cinema_dark` | Contrast | Deep moody contrast (gamma 1.45, shadow lift, knee compression) |
| `black_lift` | Black Level | Lifts blacks for vintage/faded look |

### Creative Presets (node chain combinations)
| Preset | Look | Chain |
|--------|------|-------|
| Studio Clean | Natural bright | studio_punch(50%) + sat_boost(50%) |
| Studio Balanced | Warm natural | studio_punch(80%) + warm_shift(30%) + sat_boost(50%) + black_crush(15%) |
| Studio Dance | Warm cinematic | studio_punch(100%) + warm_shift(40%) + sat_boost(60%) + black_crush(25%) |
| Studio Ambient | No fill light | studio_punch(80%) + warm_shift(100%) + sat_boost(100%) + black_crush(20%) |
| Studio Gold | Warm cinematic | cinema_dark(80%) + golden_warm(75%) + sat_boost(100%) + black_crush(10%) |
| Studio Film | Moody cinematic | film_contrast(60%) + warm_shift(20%) + sat_reduce(30%) + black_crush(40%) |

### Baking Chain LUTs

`generate_chain_lut.rb` bakes multiple presets at different strengths into a single .cube file. This lets you apply a creative preset as one node in Resolve instead of multiple.

```bash
# Bake Studio Balanced into a single LUT
ruby generate_chain_lut.rb correction_luts/studio_balanced_baked.cube \
  studio_punch@0.8 warm_shift@0.3 sat_boost@0.5 black_crush@0.15

# Bake Studio Dance
ruby generate_chain_lut.rb correction_luts/studio_dance_baked.cube \
  studio_punch@1.0 warm_shift@0.4 sat_boost@0.6 black_crush@0.25
```

Pre-baked LUTs for all creative presets are committed in `correction_luts/`.

You can also bake a conversion LUT + creative chain into a single .cube for one-node grading in Resolve:

```bash
# Bake conversion + creative into a single pass LUT
ruby generate_chain_lut.rb final_grade.cube \
  --conversion=luts/SLog3_to_Rec709.cube \
  cinema_dark@0.8 golden_warm@1.0 sat_boost@1.0 black_crush@0.1
```

## Video Export Workflow

Apply conversion + correction LUTs and encode to H.265 in one pass using ffmpeg.

```bash
# Extract a sample frame for analysis
ffmpeg -y -ss 19 -i input.mp4 -vframes 1 -vf "scale=1280:-1" -update 1 frame_raw.png

# Apply conversion LUT to frame for preview
ffmpeg -y -i frame_raw.png -vf "lut3d='conversion.cube':interp=tetrahedral" -update 1 frame_709.png

# Full encode: conversion + correction → H.265 4K
# 50Mbps masters (for re-editing):
ffmpeg -i input.mp4 \
  -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral,format=nv12" \
  -c:v hevc_videotoolbox -b:v 50M -spatial_aq 1 \
  -c:a aac -b:a 192k -tag:v hvc1 output_master.mp4

# 15Mbps web-optimized (for Instagram/web):
ffmpeg -i input.mp4 \
  -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral,format=nv12" \
  -c:v hevc_videotoolbox -b:v 15M -spatial_aq 1 \
  -c:a aac -b:a 128k -tag:v hvc1 output_web.mp4
```

**Notes:**
- `hevc_videotoolbox` uses Apple Silicon hardware encoding (M1/M2/M3)
- `format=nv12` converts to YUV420p for compatibility
- `-tag:v hvc1` ensures QuickTime/browser playback compatibility
- `spatial_aq 1` enables adaptive quantization for better quality

## Conversion LUTs (not in repo)

Conversion LUTs (e.g. Sony S-Log3 → Rec.709, ARRI LogC → Rec.709) are camera-specific and often commercially licensed. Store them in `luts/` (gitignored).

**Phantom LUTs** (phantomluts.com) — ARRI Alexa709 emulation for Sony cameras:
- Location: `luts/a7s3-arri-g8/A7s3 Phntm Arri LUTs G8/65x/SLog3/Neutral A7s3_65x.cube`
- Variants: Neutral, IceBlue, Jamaica, Tungsten, Utopia (Standard + Legacy versions)
- Use 65x for post, 33x for in-camera/monitoring
- Designed for S-Log3 + S-Gamut3.Cine; enable Cine comp toggle for S-Gamut3 footage

**Resolve settings:** Colour Science = DaVinci YRGB, Timeline = Rec.709-A (Mac), 3D LUT interpolation = Tetrahedral

## Node Order (DaVinci Resolve)

Professional serial node chain:
1. Conversion LUT (camera log → Rec.709)
2. Contrast / Exposure
3. White Balance / Color Temperature
4. Skin Tone Correction
5. Color Saturation
6. Black Levels
7. (Noise Reduction — not achievable via LUT)
8. (Vignette — not achievable via LUT)
9. (Sharpening — not achievable via LUT)

## Applying LUTs

**DaVinci Resolve:** Add a serial node per LUT. Right-click node → LUT → browse to .cube file.

**Adobe Premiere Pro:** Lumetri Color → Creative → Look dropdown → browse to .cube file.

**ffmpeg (batch/preview):**
```bash
ffmpeg -i input.mp4 -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral" output.mp4
```

## Color Science Notes

- **Desaturating warm tones in HSL produces brown/sepia.** Use hue shifting or RGB rebalancing instead.
- **Skin tones occupy H=10-35, S=0.08-0.45, L=0.25-0.75.** Use all three windows to isolate from light sources.
- **S-Gamut3 vs S-Gamut3.Cine:** S-Gamut3 is wider. LUTs calibrated for .Cine may oversaturate S-Gamut3 footage. Use `sgamut3_to_cine` compensation.
- **3D LUTs allow cross-channel operations** — R output can depend on G and B input.
- **LUTs have no spatial awareness** — no noise reduction, sharpening, or vignettes.

## Requirements

- Ruby 2.7+
- Python 3 with Pillow + NumPy (for auto_grade.py, match_grade.py, and analyze_frame.rb)
- ffmpeg / ffprobe (for frame extraction and metadata)

name: color-grade description: Generate .cube 3D LUTs for color correction in DaVinci Resolve and Adobe Premiere Pro. Auto-analyze frames, recommend node settings, and preview grades interactively in-browser. Use when the user needs color grading, LUT generation, frame analysis, or auto-grade recommendations. argument-hint: [lut-type] [output-path] allowed-tools: Read, Bash(ruby ), Bash(python3 ), Bash(ffmpeg ), Bash(ffprobe ), Write, Glob, Grep

Color Grade AI

Generate targeted .cube 3D LUTs for color correction. Auto-analyze frames and recommend DaVinci Resolve-style node chain settings. Interactive in-browser preview with Preact.

Quick Start

# Generate a correction LUT (presets defined in presets.yml)
ruby generate_lut.rb <type> <output_path> [--strength=0.0-1.0]

# Bake multiple presets into a single .cube LUT
ruby generate_chain_lut.rb <output_path> <preset@strength> ...

# Auto-analyze a frame and get node recommendations
python3 auto_grade.py <frame.png>

# Compare reference vs output and get adjustment suggestions
python3 match_grade.py <reference.png> <output.png>

# Analyze specific regions for color stats
ruby analyze_frame.rb <image_path> <x1,y1,x2,y2> [label]

# Serve the interactive preview
python3 -m http.server 8080
# Open http://localhost:8080/preview.html

Auto-Grade Analysis

auto_grade.py analyzes a Rec.709 frame (post-conversion LUT) and recommends correction values for each node using classical color science:

Node	Method	Target
Contrast/Exposure	Luminance histogram percentiles	Median ~0.45, dynamic range ~0.85
White Balance	Shades of Gray (Minkowski p=6) + White Patch blend	RGB gains near 1.0
Skin Tone	HSV-based skin detection, I-line targeting	Hue ~20° (peach)
Saturation	Hasler-Susstrunk colorfulness metric	Colorfulness 35-55
Black Level	Bottom 5% luminance analysis + noise floor	Black point < 0.02

# Full workflow
ffmpeg -y -ss 19 -i video.mp4 -vframes 1 -vf "scale=1280:-1" -update 1 frame_raw.png
ffmpeg -y -i frame_raw.png -vf "lut3d='conversion.cube':interp=tetrahedral" -update 1 frame_709.png
python3 auto_grade.py frame_709.png

Match Grade Analysis

match_grade.py compares a reference image against an output image and suggests preset adjustments to bring the output closer to the reference.

python3 match_grade.py <reference.png> <output.png>

Useful for matching grades across clips or iterating toward a target look.

Interactive Preview (preview.html)

Browser-based node chain previewer using Preact + HTM (~4KB). Applies .cube LUTs on canvas in real-time.

Features:

Drag-and-drop any frame (raw S-Log3 or converted)
Node 1: Conversion LUT — add your own .cube files (not included in repo)
Nodes 2-6: Correction chain — dropdown presets + strength sliders
Creative presets — one-click curated looks (Studio Dance, Studio Clean, Studio Ambient, Studio Gold, Studio Film)
S-Gamut3 → Cine compensation toggle for gamut mismatch
Bypass/reset all nodes instantly
URL parameters — deep-link to a specific state: ?image=frame.png&lut=path/to.cube&preset=studio_gold

Correction LUTs are committed in correction_luts/. Conversion LUTs are user-provided (gitignored in luts/).

Config-Driven Presets

All LUT types are defined in presets.yml. Each preset is a pipeline of ordered processing steps. Adding a new LUT type means adding a YAML entry — no Ruby code changes needed.

Available step types: exposure, highlight_protect, black_crush, hue_desat, skin_correction, shadow_sat_boost, skin_highlight, skin_rolloff, global_highlight_desat, rgb_rebalance, global_sat.

Available LUT Types

Correction LUTs (apply after conversion)

Type	What it fixes
`night_warm_fix`	All-in-one for underexposed warm/red scenes. ~1 stop lift + skin hue shift + black crush.
`night_purple_fix`	All-in-one for underexposed purple/magenta stage lighting. RGB rebalancing + lift + desat + skin fix.
`yellow_fix`	Warm amber/yellow cast from stage lighting. H=10-60, 55% desat.
`red_skin_fix`	Red/flushed skin from warm practicals. Hue shift to peach, skin-only targeting.
`pink_cast_fix`	Pink/magenta cast from stage lighting. Gentle RGB rebalance + magenta desat.
`overexposure_fix`	Scene-wide ~1 stop reduction with highlight rolloff.
`underexposure_fix`	Scene-wide ~1.2 stop lift with shadow recovery.
`black_crush`	Crushes milky/lifted blacks below 12% to true black.
`skin_highlight_fix`	Subtle skin-only highlight rolloff above 70% luminance.
`golden_warm`	Strong golden warm shift via RGB rebalance (R:1.20, G:1.00, B:0.80). For rich warm cinematic looks.
`cinema_dark`	Deep moody contrast with gamma 1.45, shadow lift 0.02, and knee compression (0.72-0.90).

Node Chain Building Blocks

Type	Node	What it does
`studio_punch`	Contrast	Subtle contrast boost for well-lit interiors
`film_contrast`	Contrast	Stronger filmic contrast with deeper shadows
`flat_lift`	Contrast	Lifts shadows for softer, more open look
`warm_shift`	Temperature	Subtle warm shift via RGB rebalance
`cool_shift`	Temperature	Subtle cool shift via RGB rebalance
`led_green_fix`	Temperature	Fixes green tint from LED/fluorescent lights
`sat_boost`	Saturation	Global +15% saturation boost
`golden_warm`	Temperature	Strong golden warm shift (R:1.20, G:1.00, B:0.80)
`sat_reduce`	Saturation	Global -15% saturation reduction
`sgamut3_to_cine`	Gamut	S-Gamut3 → Cine compensation (desat ~12%)
`cinema_dark`	Contrast	Deep moody contrast (gamma 1.45, shadow lift, knee compression)
`black_lift`	Black Level	Lifts blacks for vintage/faded look

Creative Presets (node chain combinations)

Preset	Look	Chain
Studio Clean	Natural bright	studio_punch(50%) + sat_boost(50%)
Studio Balanced	Warm natural	studio_punch(80%) + warm_shift(30%) + sat_boost(50%) + black_crush(15%)
Studio Dance	Warm cinematic	studio_punch(100%) + warm_shift(40%) + sat_boost(60%) + black_crush(25%)
Studio Ambient	No fill light	studio_punch(80%) + warm_shift(100%) + sat_boost(100%) + black_crush(20%)
Studio Gold	Warm cinematic	cinema_dark(80%) + golden_warm(75%) + sat_boost(100%) + black_crush(10%)
Studio Film	Moody cinematic	film_contrast(60%) + warm_shift(20%) + sat_reduce(30%) + black_crush(40%)

Baking Chain LUTs

generate_chain_lut.rb bakes multiple presets at different strengths into a single .cube file. This lets you apply a creative preset as one node in Resolve instead of multiple.

# Bake Studio Balanced into a single LUT
ruby generate_chain_lut.rb correction_luts/studio_balanced_baked.cube \
  studio_punch@0.8 warm_shift@0.3 sat_boost@0.5 black_crush@0.15

# Bake Studio Dance
ruby generate_chain_lut.rb correction_luts/studio_dance_baked.cube \
  studio_punch@1.0 warm_shift@0.4 sat_boost@0.6 black_crush@0.25

Pre-baked LUTs for all creative presets are committed in correction_luts/.

You can also bake a conversion LUT + creative chain into a single .cube for one-node grading in Resolve:

# Bake conversion + creative into a single pass LUT
ruby generate_chain_lut.rb final_grade.cube \
  --conversion=luts/SLog3_to_Rec709.cube \
  cinema_dark@0.8 golden_warm@1.0 sat_boost@1.0 black_crush@0.1

Video Export Workflow

Apply conversion + correction LUTs and encode to H.265 in one pass using ffmpeg.

# Extract a sample frame for analysis
ffmpeg -y -ss 19 -i input.mp4 -vframes 1 -vf "scale=1280:-1" -update 1 frame_raw.png

# Apply conversion LUT to frame for preview
ffmpeg -y -i frame_raw.png -vf "lut3d='conversion.cube':interp=tetrahedral" -update 1 frame_709.png

# Full encode: conversion + correction → H.265 4K
# 50Mbps masters (for re-editing):
ffmpeg -i input.mp4 \
  -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral,format=nv12" \
  -c:v hevc_videotoolbox -b:v 50M -spatial_aq 1 \
  -c:a aac -b:a 192k -tag:v hvc1 output_master.mp4

# 15Mbps web-optimized (for Instagram/web):
ffmpeg -i input.mp4 \
  -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral,format=nv12" \
  -c:v hevc_videotoolbox -b:v 15M -spatial_aq 1 \
  -c:a aac -b:a 128k -tag:v hvc1 output_web.mp4

Notes:

hevc_videotoolbox uses Apple Silicon hardware encoding (M1/M2/M3)
format=nv12 converts to YUV420p for compatibility
-tag:v hvc1 ensures QuickTime/browser playback compatibility
spatial_aq 1 enables adaptive quantization for better quality

Conversion LUTs (not in repo)

Conversion LUTs (e.g. Sony S-Log3 → Rec.709, ARRI LogC → Rec.709) are camera-specific and often commercially licensed. Store them in luts/ (gitignored).

Phantom LUTs (phantomluts.com) — ARRI Alexa709 emulation for Sony cameras:

Location: luts/a7s3-arri-g8/A7s3 Phntm Arri LUTs G8/65x/SLog3/Neutral A7s3_65x.cube
Variants: Neutral, IceBlue, Jamaica, Tungsten, Utopia (Standard + Legacy versions)
Use 65x for post, 33x for in-camera/monitoring
Designed for S-Log3 + S-Gamut3.Cine; enable Cine comp toggle for S-Gamut3 footage

Resolve settings: Colour Science = DaVinci YRGB, Timeline = Rec.709-A (Mac), 3D LUT interpolation = Tetrahedral

Node Order (DaVinci Resolve)

Professional serial node chain:

Conversion LUT (camera log → Rec.709)
Contrast / Exposure
White Balance / Color Temperature
Skin Tone Correction
Color Saturation
Black Levels
(Noise Reduction — not achievable via LUT)
(Vignette — not achievable via LUT)
(Sharpening — not achievable via LUT)

Applying LUTs

DaVinci Resolve: Add a serial node per LUT. Right-click node → LUT → browse to .cube file.

Adobe Premiere Pro: Lumetri Color → Creative → Look dropdown → browse to .cube file.

ffmpeg (batch/preview):

ffmpeg -i input.mp4 -vf "lut3d='conversion.cube':interp=tetrahedral,lut3d='correction.cube':interp=tetrahedral" output.mp4

Color Science Notes

Desaturating warm tones in HSL produces brown/sepia. Use hue shifting or RGB rebalancing instead.
Skin tones occupy H=10-35, S=0.08-0.45, L=0.25-0.75. Use all three windows to isolate from light sources.
S-Gamut3 vs S-Gamut3.Cine: S-Gamut3 is wider. LUTs calibrated for .Cine may oversaturate S-Gamut3 footage. Use sgamut3_to_cine compensation.
3D LUTs allow cross-channel operations — R output can depend on G and B input.
LUTs have no spatial awareness — no noise reduction, sharpening, or vignettes.

Requirements

Ruby 2.7+
Python 3 with Pillow + NumPy (for auto_grade.py, match_grade.py, and analyze_frame.rb)
ffmpeg / ffprobe (for frame extraction and metadata)